Almost three weeks ago, a producer who I respect read my screenplay, liked it, and passed it on to both a manager and to an agent that she respected.
I spoke with the manager, who said that he read the script, liked it a lot, but that he thought it would work better as a TV series. I told him that it was a pilot once (8 million plot changes ago, though I didn't say that), and that I'd be happy to make it one again. He thought it was a great idea.
So I turned the script into a pilot. It turned out very well too, even though it's a two-hour pilot, which I know is the kiss of death. Sue me. It doesn't work at one hour -- it needs both.
Anyhow, today I called the manager's office, and left a message that the pilot was ready and would he like a copy? He called me back later, and claimed that coincidentally he was right in the middle of reading the script, and was thinking that TV was the way to go.
Not rereading the script. Reading the script. For the first time.
I know everyone lies in Hollywood about actually reading stuff (well, everyone but me), but you'd think they'd juggle their lies a little better than that.
But you know I sent the pilot to him anyway.
Thursday, 19 April 2007
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